Floating. The reference, almost expected, is to the Ukiyo, an art print genre which flourished in Japan from the mid
17th century to the early 20th century. The analogy however does not appear so much in the visual artifice which
distinguishes the seat as much as in the fact that, as in the history of the prints, Float brokers the actual creative
act with its commercial nature as an object devised and created within the industrial design world.